èßäÊÓƵ

Image of Song for Adele by Tim Scott
Tim Scott, Song for Adele. Photo © Dr Jim Roseblade

2011 Sculpture in the Close Exhibition

27 June – 25 September 2011

FLANAGAN – TUCKER – SCOTT – CARO – KING – TAYLOR – MCLEAN

This outdoor exhibition in the grounds of èßäÊÓƵ College combined new sculptures and installations with key works from the existing oeuvres of these major artists. 

For further information contact the Curator of Works of Art at curator-of-art@jesus.cam.ac.uk.

Foreword

The Master and Fellows of èßäÊÓƵ College are delighted once again to host Sculpture in the Close. In so doing we acknowledge our gratitude to Lord Renfrew, who so imaginatively launched this concept during his mastership, and we celebrate the fact that this year’s exhibition is the 12th in the series.

èßäÊÓƵ College is known throughout Cambridge, and indeed beyond, for these marvellous exhibitions of contemporary sculpture. The generosity of the sculptors in lending their work for this exhibition is gratefully acknowledged. Several galleries and organisations have also given invaluable advice and assistance, especially Waddingtons, the British Council, Pangolin London, and the Poussin Gallery.

The works of art committee of the College led by the curator Rod Mengham, has been responsible for mounting this exhibition, working closely with its advisors, Tim Marlow and Richard Humphreys, and with the gardens committee, chaired by Dr David Hanke.

Considerable assistance was provided by the Manciple, Simon Hawkey, the head gardener, Paul Stearn, our maintenance supervisor, Chris Brown our lighting supervisor, Peter Moore, and our IT troubleshooter, Alison Rolfe.

We are grateful for continued help from the Royal & Sun Alliance Insurance Company. And it is more than ever the case that the works of art committee could not continue to keep modern art so vigorously on the agenda at èßäÊÓƵ without the help of the contributors to the appeal run by the Friends of Art of èßäÊÓƵ College. We are most grateful to all those who have supported this appeal.

Robert Mair
Master

Also in this section:

Six foot leaping hare on steel pyramid by Barry Flanagan

Barry Flanagan

Barry Flanagan donated two sculptures to èßäÊÓƵ College, The Cricketer in 1989, and San Marco Horse in 2009.

Barry Flanagan
Vespers by Anthony Caro

Anthony Caro

Sir Anthony Caro is widely acknowledged as the most influential sculptor of the postwar period.

Anthony Caro
Obelisk with Flame by Phillip King

Phillip King

King evokes the symbolic history of his chosen forms only to announce their independence from the circulation of meanings.

Phillip King
Untitled New Work by Bruce McLean

Bruce McLean

McLean has done more than perhaps any other British artist since the 1960s to keep sculpture both conceptually and literally...

Bruce McLean
Song for Adèle XII by Tim Scott

Tim Scott

This exhibition offered a rare opportunity to view one of British abstract sculpture’s great masterpieces, Tim Scott’s Cathedral.

Tim Scott
Bronze Shell by Wendy Taylor

Wendy Taylor

Wendy Taylor has become one of the most widely exhibited sculptors in Britain, particularly in civic spaces.

Wendy Taylor
Messenger and Cave by William Tucker

William Tucker

William Tucker’s recent works share an overwhelming fluidity, and a corresponding lack of ductility, that the viewer is unprepared for.

William Tucker

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